An Interview with Jodie Bateman, UCA Farnham, June 4th 2021.
Jodie Bateman’s work features in the annual UCA Farnham MFA Photography Exhibition currently on display in The Ambassador Room. Bateman’s work explores themes of social issues, being a Muslim woman, and the notion of belonging, whilst moving away from her family and friends to a small village in the heart of Surrey.
Please introduce yourself, who are you and what do you do?
My name is Jodie Bateman I am a convert to Islam and a mother to a young boy. I am a British fine art photographer whose work explores women’s identity and social issues. I am currently a student at the University for the Creative Arts, Farnham where I am just about to finish my MFA in photography.
What made you want to pursue photography as opposed to more traditional mediums?
I have always loved photography from a young age. I remember going through my mum’s large collection of disposable camera prints from my childhood and I was always fascinated by holding them and looking back in time. I remember getting my very first camera phone at age 14, it was a Sony Ericsson and I would create photoshoots of my sisters and friends then spend time editing them and loved every minute of it.
When I was in school looking for colleges and thinking of careers my teacher and older sister said “do what you love doing so you will be happy in life” but, actually at this point in my life I was really into painting and so I started an art and design course at college. In the second year, you were able to choose what specific field you wanted to go into. It was really hard at that age to decide what your life was going to be, but I knew photography was what made me truly happy. I still get a buzz and genuine happiness with every shoot I do I couldn’t imagine doing anything else. I feel so connected with photography and how I am able to express myself through this medium as opposed to others. To me, photography is empowering.
What was the inspiration behind your latest work ‘Muslim Women Should Not Stand Out’?
I was at a stage in my journey of really learning and searching for knowledge around my new identity and thus being instructed how to dress and behave a lot of which was from a male-dominated point of view. At this time, I was also settling into Godalming, feeling isolated and like I stuck out intensely as I was the only person in the village wearing a hijab. I was also researching for another project of mine which explores Muslim women and the negative stigmas and came across a lot of negative words and it was truly hurtful, so I wanted to capture something beautiful in relation to Islam so it was a response to everything at that time in my life I would say.
In your artist statement you mention migrating from South London to Godalming in Surrey, how has that been for you?
At first, it was easy and enjoyable, then once I had converted to Islam and started to wear a Hijab it was lonely. My life had changed so drastically, and I made no friends. I was there for almost four years. There was no community there it was uncomfortable walking on the streets sometimes I would get rude remarks or looks whereas in London where I still visit my family, I never feel like that and I have some friends and a revert group of sisters where before covid we would meet weekly. But that being said, I am so grateful to have migrated to Surrey from London it is beautiful and peaceful in comparison to London, and I have recently moved to Farnham in which I have found a small community and a nearby mosque just in Camberley.
Your work explores the question of how to belong, how do you achieve a greater sense of belonging?
I still don’t think I have truly figured it out, but I feel like it's personal so I just try to love myself and be proud of who I am so wherever I go or end up in life I can make myself belong and be happy with whatever I have.
Are there any artists you feel inspired by or that have influenced the way you work?
Yes, there are so many artists who inspire me which influences the way I work and how I want to be. To name a few would be Shirin Neshat, Lalla Essaydi, Anna Fox, Karen Knorr, Maryam Wahid, Natasha Caruana, Etinosa Osayimwen, and Richard Billingham.
What’s the next step for you and your work?
I am currently working on other projects in which I am really excited to showcase soon, and I hope to continue having them exhibited so I am able to share my stories and begin to open up new questions between Muslim women and the public and keep using photography to make a change.
See Bateman's work and much more in the UCA Farnham: MFA Photography Show, on display from 22 May – 27 June 2021 in the Ambassador Room.
Jodie’s hijab journey captivates Vogue editors
UCA graduate Jodie Bateman is turning heads with photography documenting her own journey converting to Islam, and the response to her new appearance.
24 Sep 2021.
Jodie, who has just completed her two-year MFA Photography degree, has seen her striking portraits of herself and her sister, Hannah, in their hijabs, showcased in the Photo Vogue Festival 2021 “Reframing History” and also in the latest issue of Photoworks.
The project is called “My Hijab Has A Voice: Revisited” and seeks to explore the experience of Muslim women within the religion, and within society as a whole. Through her work, Jodie wants to break the stereotypes that the media has perpetuated of the Muslim woman, instead giving her an authentic voice and a modern outlook.
“It started from my last year in the BA photography course at UCA,” she says. “I had just converted to Islam, and started to wear my hijab. That is when I decided to do a project around my journey. I always knew there was a negative stigma around the hijab in the media anyway, but I started to come across material that had absolute hate for Islam, saying terrible things about Muslim women and the hijab."
"It's a powerful feeling to be a woman in the West who is not being constantly judged for how I look, which is what this society so often does to us."
“I became very angry and hurt, as I was falling in love with my religion, and that’s how everything came together. I was determined to show a different narrative that people may not have had access to. Starting my MFA, I knew the project wasn’t finished, so I revisited the theme and continued until it had blossomed to what it is today.
“I mostly hoped it would start new conversations and just give people the opportunity to have an insight into a convert’s personal journey to putting on the hijab, rather than just seeing it as a symbol of oppression in the West. I hope people can see a different side to Islam and the hijab; a more positive one.”
Discussing her personal journey and decision to wear the hijab, Jodie highlights some of the aspects she finds empowering, which are often overlooked by outside commenters.
"The thing I love the most about wearing hijab and abaya is that don't feel insecure anymore," says Jodie. "Now, I feel very comfortable walking in public. I love myself and my body a lot more, and feel proud that people can visibly see I am a Muslim woman. I no longer get harassed by men, so I feel safer. I am much more happy and confident in myself now that I don't have the pressure of trying to fit in, or for my body to look a certain way - for example, I now choose not to wear make-up either. It's a powerful feeling to be a woman in the West who is not being constantly judged for how I look, which is what this society so often does to us."
"But despite this, Western society continuously feeds the stereotype of oppression. Often Muslim women are only seen to wear black and are portrayed as ‘old fashioned’ or ‘backwards’ due to their choice to cover their bodies."
In response, her photo series challenges society to see Muslim women differently by inviting them into a Muslim woman’s private space, with the intention to ‘humanize’ her experience. Jodie's pictures take inspiration from historical paintings that are famous for their objectification of women, subverting them through a series of alterations. She poses herself and her models to mimic the mannerisms and gestures of the paintings, but has the subjects fully clothed and looking directly back at the viewer, confronting the audience and the outdated social stereotypes.
The wire you see towards snaking towards the front of the shot is another intentional choice, showing that she’s in control of the shot.
“Having the wire visible makes it known that I am the photographer – a Muslim, a woman and in control of the way the viewer will be seeing me. That was important, after researching the female gaze – taking back that control as a woman,” she said.
So how did it feel to see her work featured in Reframing History, as one of 35 photographers picked from more than 2,500 around the world?
“It is such an incredible feeling. I was lost for words when I got the recognition,” she said. “It’s such a hard field to get into, with such great artists out there, so it’s really reassuring when you start to get the attention from these high-profile places. especially after receiving so many rejections.”
Jodie is about to become a UCA artist-in-residence and is focused on building her portfolio further and continuing her progress.
“I really enjoyed working with my teachers: Anna Fox, Karen Knorr and Elizabeth Ransom. They are great, supportive women. I loved the whole journey with them. It really helped me develop myself and my work as an artist; they have great knowledge and I will take that away with me,” she says.
“I don’t think there is a medium more powerful than photography. I believe it can affect change by giving people voices who aren’t usually heard. It allows people to share their own stories in their own way, with no filter or rules, just by being able to put something into the world where people can see it and read more into the meaning.”
You can see Jodie’s work – and the work of our 2021 MA and MFA photography graduates, on our Online Graduation Show.
And if photography interests you, visit our course pages.